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At first,
Louis Comfort Tiffany used glass used by outside
firms, but this did not give him total satisfaction.
As his fascination with glass grew, he experimented
with lustering techniques, largely inspired by the
natural iridescence of ancient Roman glass. He patented
his first glass-lustering technique in 1881. Favrile
glass, the trademark for Tiffany handmade glass,
resulted from these experiments and, with the exception
of Tiffany lamps, it is the ware for which he is
best known. Tiffany set up his own glasshouse at
Corona, Long Island and put a brilliant Englishman,
Arthur J. Nash, in charge. His previous companies
had all been concerned with interior decoration;
this one, Tiffany Furnaces, concentrated on decorative
blown glassware. In 1893 Tiffany introduced his
first hand blown-glass vases and bowls, which he
called "Favrile." The word Favrile was taken by
Tiffany from an old English word for hand made.
Tiffany Favrile glass quickly gained international
renown for its surface iridescence and brilliant
colors. Tiffany, no craftsman himself, died considerably
less wealthy than he began, because of his own fascination
with the capabilities of glass in the furnace. He
was not content to leave the experiments to his
skilled workers, and he would not abandon his own
ideas even when Nash was satisfied, after repeated
efforts, that they would not work. Such interference
was not cost effective, but it was symptomatic of
what he was trying to do. He was a leader and Tiffany
glass was never a shadow of other men's work.
Tiffany
developed a whole range of unique glassware by
trying out and perfecting new techniques in the
furnace. The glass itself was of the best quality,
its colors achieved by the addition of metallic
oxides, variable by temperature within the furnace.
His lustering technique, with its iridescent effect,
was the most important because it was his hallmark,
used in many different wares. This involved dissolving
salts of metallic oxides in the molten glass,
so creating the chosen colors -- soft greens,
blues, golds, etc. The metallic content was then
brought to the surface by subjecting the glass
to a reducing flame and spraying with another
chloride. This treatment caused the surface to
crackle into a profusion of tiny lines that refracted
light. The skill of the blower was paramount in
this, because Tiffany glass was free blown. Speed
was necessary to achieve the desired effect before
the molten glass cooled.
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Tiffany
Studios Lamps & Favrile Glass: Page 5
(click to enlarge)
Tiffany
Lamps & Glass- Page 1
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